Lewis demonstrates how culture is ubiquitous and is a force which influences all nations at all times, particularly when it comes to how nations view war, going to war, the benefits of war, and the ideal outcomes from war. One of the most salient points that Lewis makes and which guides the theory and development of the book is the fact that he views the American way of war to be an outgrowth of the western way of war (Lewis, 2007)
Meanwhile the tulips "eat my oxygen," the poet writes. She would like to get rid of them the same way she would like to depart from the "trappings of her life and the family she has" (Dobbs, 1977)
Critic Barbara Hardy believes that the poet gradually accepts the tulips, a process which symbolizes the poet (and patient) as being able to reluctantly accept a return to life. "The flowers really do move toward the light…do take up oxygen… [and are] inhabitants of the bizarre world of private irrational fantasy" (Hardy, 1970)
3). Jeffrey Meyers takes a rather controversial position regarding Frost's poem; Meyers suggests that the theme of the poem is "…the temptation of death, even suicide" (Meyers, 1996)
" The poet stops on the "…darkest evening of the year" to watch the woods "fill up with snow," and according to John T. Ogilvie's scholarship, the poet is caught between two worlds, the world of quiet nature and solitude, and the world of "…people and social obligations" (Ogilvie, 1959)
Eliot is truly one of the giants of literature, and besides his elite standing as a poet and writer, he was also a critic, according to Herman Rapaport. Among the interesting and poetically appropriate phrases Eliot coined was "objective correlative," by which he meant that any object, situation or event that functions as "…an adequate correlative to the poet's emotions" is an objective correlative (Rapaport, 2011, p
2). Meanwhile the late literary critic Richard Poirier believes the Frost poem is "…concerned with ownership and also with someone who cannot be or does not choose to be very emphatic about owning himself" (Poirier, 1977)
Humans have to cross though deserts sometimes in their lives, and it is usually a human crisis or fear that sends them across those lonely sands. Critic Adeel Salman, a professor at Sarah Lawrence College, explains that the entire second stanza reflects a sense of being "deprived" and hence the poet's mind -- with the loneliness and dispossession wrapped around the scene he envisions -- "gives way to the benumbing mood all around" (Salman, 2003)
The public's faith in the justice system should be stimulated in order to ensure that the system works effectively. Without faith in the system, it is most likely that the public will succumb to a sense of anarchy, or at least that criminal individuals will simply do as they wish without regard for the law (Benoit, 2011)
S. Marshalls, all federal agents, probation and parole officers, and even park rangers (Komisaruk, 2007)
One school, in Long Beach, began mandatory uniforms in public schools in 1995 and saw "dramatic decreases in violence, and discipline problems as well as higher test scores." (Wilkins, 1) Schools are only open as long as the staff is there, which is usually long enough for any after school meetings or detentions
Popular social outlets that AE uses include Facebook, LinkedIn and Twitter. Use comments rose when LinkedIn was added and crescendoed to more than 60% with addition of Facebook and Twitter (Gillin, Stephen (September 7, 2011))
They no longer have to clip coupons or show a digital coupon through their smart phones. All they do is tweet (Lies, 2012) This AE promotional tool, accomplished through social media, is therefore highly intelligent and effective
com, thinks that AE's promotion endeavors will soon move to mobile too as the company will look to making he most of the partnerships that it has with these providers. Facebook, many think, has already become and will continue to intensify as a key promotional tool since it exudes a family and friend kind of atmosphere (Skowronski (February 03, 2012) One of the promotional strategies that AE has recently launched is called
Mobile American Express also promotes via mobile games that it has launched over iPhone . According to Richard Harris, vice president and head of acquisition at American Express, New York: "The game provides an ideal way to create brand awareness," (Tsirulnik, (Nov
Jones was not only a political activist (and still is), but he was also a poet, playwright, essayist, and writer of fiction. Virtually all of his works encompass some fundamental aspect of the struggle for liberty and self-determination (Baraka, 1999, p
" Instead, she continues, that story must be told by writers. To read through this volume of Giovanni's poetry is indeed to read "the story" of the last thirty years of American life…(Giovanni, 2003, p
The vast majority of X's autobiography, of course, spanned more than his life, it detailed the history of oppression of African-Americans at the hands of America, which the following quotation proves. "One hundred million of us Black people! Your grandparents! Mine! Murdered by this white man! To get 15 million of us here to make us his slaves, on the way he murdered one hundred million! (Haley, 1965, p
White man/Makes me work all day/And I work too hard/For too little pay/Then a white man/Takes my woman away./I'll kill Old Greeley" (Hughes, 1959, p
The full political agenda of Jones which was inherently reflected in his writing, which was prone to vary during the many decades of prolific creative output he produced with his works of literature, is summarized at its most extreme from a combination piece of both essay and poem entitled, appropriately "state/meant" The Black Artists role in America is to aid in the destruction of America as he knows it. His role is to report and reflect so precisely the nature of the society, and of himself in that society, that other men will be moved by the exactness of his rendering and…grow strong through this moving…and if they are white men…go mad, because they are drenched with the filth of their own evil (Jones, 1967, p