English Sources for your Essay

British and American English Comparative


222). Likewise, it's important (that) you went at once (British dialect) (Jacobsson, p

British and American English Comparative


222). Likewise, it's important (that) you went at once (British dialect) (Jacobsson, p

British and American English Comparative


(Implied: I don't have a car; present tense) How did you know I was here? (implied: I'm here now; present tense) He talks to me as if I were a child. (implied: I'm not a child; present tense) What did you say your name was? (Jespersen, 1924, p

British and American English Comparative


(Implied: I don't have a car; present tense) How did you know I was here? (implied: I'm here now; present tense) He talks to me as if I were a child. (implied: I'm not a child; present tense) What did you say your name was? (Jespersen, 1924, p

British and American English Comparative


Traditional Standard English (SE) For many years, the only standard for properly spoken and written English was Standard British English (SBE), also known as Received Pronunciation (RP) in the 19th century. Today, Standard American English (SAE) enjoys similar prestige on the world stage thanks to the growth of the United States' prominence as a global power and, with the advent of the computer age, the fact that word processing software has nudged standards towards SAE conventions (McArthur, 2001, p

British and American English Comparative


To place must, ought to, and had better in a past time context, it is necessary to combine them with the perfect; it is the perfect morphology which provides the necessary temporal past meaning: He have gone to the bank yesterday. Must is from OE motan (be permitted); ought to is from OE agan (preterit ahte) (possess) (Moore and Knott, 1962) must ought to had have gone to the bank yesterday

British and American English Comparative


]. Among NSs, the 3rd person singular -s has acquired the status of one of the "markers of in-group membership" (Seidlhofer, 2000, cited in Breiteneder, 2005, p

British and American English Comparative


32). Her definition is derived from that of Palmer, and by extension those of Lyons and Jespersen, and is widely accepted among linguists (Traugott, p

Were the English Colonists Guilty of Genocide?


As early as the first colonies in 1500, there was debate amongst the settlers if it was best to kill all the natives, or to capture them and to put them to work as slaves. (Stannard, cited in Relle & Madras, 48) The Indians were always judged by Western European standards

Were the English Colonists Guilty of Genocide?


white." (Katz, Cited in Relle & Madras, 57) Katz concedes that the mere presence of Europeans, for the Indians, constituted in their eyes an act of aggression

Were the English Colonists Guilty of Genocide?


Sadly, this word has also become common cultural and political parlance in the vocabulary of America and the world today, given the horrific events that transpired during World War II in Europe, and later, during the 20th century in Cambodia, Rwanda, and Bosnia. But is the present American nation, long before these chronicled events of recent memory, stained with a similar historical blemish of cultural eradication? Were the words spoken by one English colonist, "the only good savage is a dead savage," (Relle & Madras, 2003) merely hyperbole or representative of the English nation's entire ideology regarding the native peoples of the Americas? David Stannard says yes, what transpired between the colonists and the natives was genocide

Elizabethan Theatre the English Theatre


But Marlowe's livelihood was terminated at a fairly young age when he died in a tavern fight in Deptford, the wounded by a knife in his eye. (David; Express, Elizabethan Theatre) if a quicker investigation of the theatre of Shakespeare's time is taken, it will disclose the dissimilarities between the Elizabethan theatres and the movies and plays of the present day

Elizabethan Theatre the English Theatre


Instead of the standard round or octagonal shapes of theatres, the Fortune playhouse was to be rectangular. (Ellis-Fermor, 26) This was suggestive of the inn-yards where public theatre presentations had taken place previous to the first purpose-built public theatre in London, suitably called 'The Theatre'

Elizabethan Theatre the English Theatre


In the Renaissance, as we have observed, prostitution reflected an energetic personality among a bunch of wrongdoing. (Haselkorn, 141) And it is Elizabethan and Jacobean comedy, under its protest and arrogance, which deals with prostitution critically

Elizabethan Theatre the English Theatre


Some plans of postmodernism in relation to an obsolete Elizabethan modernism produce a model for fully understanding his accomplishment. (Hunt, P

Elizabethan Theatre the English Theatre


The great dramatists like Ibsen with much of their efforts in terms of sleepless skills it has been possible to accomplish of such conventions of actuality without violation of the fundamental necessities of dramatic experience. (Wiggins, 7) "In the Wild Duck and still more in Rosmersholm this stupendous juggling feat is achieved; in the latter masterpiece, indeed, by a supreme concentration of the artist's faculties, the essential drama is not only unharmed but in the end empowered by it

Elizabethan Theatre the English Theatre


The landmarks in literature are not considered to be stand still with the deaths of kings and queens. (Wilson, 31) The main elements of Jacobean literature are considered to be apparent in the 1590s with the publication of the Faerie Queene

Black English Isn\'t a Language,


1). He defines "other" as someone "refusing to be defined by a language that has never been able to recognize him" (Baldwin, par

Racism in the English Language


Prejudice is not merely imparted or superimposed. It is metabolized into the bloodstream of society" (Moore 474)

Critique of Marriage in 19th Century English Literature


But how little of permanent happiness could belong to a couple who were only brought together because their passions were stronger than their virtue, she could easily conjecture. (Austen, 50) The irony here is that if much of the Victorian critique of marriage hinged upon its suppression of female autonomy, Elizabeth Bennett's (and by extension Jane Austen's) critique of the union of Wickham and Lydia Bennett seems to indicate it was due to an excess of female autonomy, where "their passions were stronger than their virtue