Copyright Sources for your Essay

Ethics in Software and Copyright Infringements in the Balkans


Experience has shown that the two activities are often carried out together -- counterfeit goods are imported and distributed with grey-market goods -- with the effect and often the deliberate intention of making proof of counterfeiting activities even more difficult." (Smuggling, Counterfeiting and Piracy) The quantities are huge and in one instance there was a raid in Germany and Britain which resulted in the seizure of 300,000 CDs of pirated software

Copyrighted Material Under U.S. Code


This criterion specifies whether the use will be of a commercial nature, or a non-profit nature. The implication, then, is that uses of a non-commercial purpose are more often considered under the fair use standards (Cheskis, 16)

Copyrighted Material Under U.S. Code


539, 563). The idea, then, is that the fair use guidelines favor the free and fair use of published, factual works, and shows less favor toward the use of unpublished, dramatic works of expression (Madison, 1527)

Copyrighted Material Under U.S. Code


Note that the statement does not express the amount of material that can be used without infringing on copyright ownership, but instead simply implies there is some form of limit. Additionally, the implication is made that extreme distortion of a copyrighted work will allow the use of the work in a way that falls under the fair use guidelines (Webber, 68)

Copyright Law in Hong Kong Internationally, Hong


As to the copyright, it does not grant monopoly of any kind in terms of ideas or information use. (Samuels, Edward, 1989)

Copyright Laws. This Is Accomplished


This makes it essentially impossible for a record company to appropriate value of copying by price discriminating among consumers." (Klein 2002) As a result, this is illustrating how changes in technology can make existing copyright laws ineffective

Copyright Laws. This Is Accomplished


As a result, one could argue that this strength is what helped to increase the total amounts of innovations in literature, music, art and the kinds of products everyone enjoys. (Romer 2002) At the same time, copyright laws are ensuring that everyone is receiving some kind of compensation for their idea years later (in the form of royalties)

Copyright Laws. This Is Accomplished


Once this occurred is when, various copyright laws evolved with the changes that were taking place throughout the years. (Varian 2005) A good example of this can be seen by looking no further than the U

Copyright Laws. This Is Accomplished


Once this occurred is when, various copyright laws evolved with the changes that were taking place throughout the years. (Varian 2005) A good example of this can be seen by looking no further than the U

Traditional and Digital Copyright Evolution


Producers had a right to their work, which they could dispose of in the market of literary work just like those who produced other commodities. Ownership only belonged to them in so far as society deemed fair in as much as that law applied to them (Baldwin, 2014)

Traditional and Digital Copyright Evolution


This is yet another classic example of law implementation laxity that justifies reasons for failure of analogue terms to operate effectively in the digital platforms. Maybe more importantly, trying to enforce laws that do not have social support is most likely to actively but indirectly prevent the emergence of social trends that support and uphold the law (Burleson, 2014)

Traditional and Digital Copyright Evolution


The other forms of radio fall somewhere in between. Such huge differences in the royalty requirements which largely favor the firms who possess ancient technologies such as traditional radio and satellite are a threat to the emergence of contemporary technologies for the distribution of music (Dicola, 2013)

Traditional and Digital Copyright Evolution


The copyright rules of analogue systems presently do not cater especially well for the next generation or contemporary creators of content remixing and their listeners. This is due to the fact that nearly all digital borrowing of any form of media can be interpreted by keen attorneys to be an infringement (McGrail & McGrail, 2010)

Traditional and Digital Copyright Evolution


For instance, a person who owns a copyright who believes their right has been violated by an another subscribing to an internet access service, or a person subscribing to an internet access service who permits a third party to use the service may in this case submit a complaint of infringement. The name of the person who owns the copyright, details of the nature of violation, evidence of the apparent violation that indicates the IP address of the subscriber, and the time of gathering the evidence can then be tracked (Mendis, 2013)

Traditional and Digital Copyright Evolution


Despite this, it is a lengthy process that needs plenty of cooperation and support from the Internet Service Providers (ISPs). The legal wars on the ways of collecting the needed information have thrown spanners into the works of provision of safe harbor by bringing in extra layers and factors of analysis to the demands of the 19th statutes which create further complexities for the ISPSs, owners of copyrights, the lower courts, and the lawyers who try to unravel these complicated decisions by courts (Palma, 2014)

Traditional and Digital Copyright Evolution


Therefore this could result in extortion to facilitate massive abuse of copyright laws. In her utterances, for instance, Pallente the Registrar correctly noted that the doctrine of first sale, which stipulates that those who hold copyrights transfer their authority to oversee many applications of a work's copy after transfer or sale to a consumer, had been integral to laws of copyright for over a century which both the Congress and the courts have upheld (Perzanowski & Schultz, 2014)

Traditional and Digital Copyright Evolution


As the Copyright Act of safeguarding intellectual property in the twenty-first century is being awaited, Congress or any other entities involved must consider both the interests of the broader public as well as that of large content providers. The next major Act of Copyright must determine means to not just curtail piracy online, but to also safeguard the vital space of the public to rework, engage with and comment on material or content that is copyrighted (Rothman, 2014)

Traditional and Digital Copyright Evolution


Many people in the digital platform largely remain ignorant of copyright infringement and this makes it harder to merge the two ages of media, that is the digital and the analogue. For instance, in social media users might not know from the beginning that they are posting content that is copyrighted on social platforms and that is why some enterprises have adopted legal steps to indicate their disapproval of how such websites use content that is copyrighted, often with respect to advertising (Storella, 2015)

Threats to Copyright and Ownership of Intellectual Property


introduces the DMCA ("Digital Millennium Copyright Act") to protect the digital media from being pirated, however, this law is ineffective. (Barker, 2005 p 1)

Threats to Copyright and Ownership of Intellectual Property


government should implement policies to combat the IP theft. (Guess, Hadley, Lovaas, & Levine 2014)