"At the outbreak of the revolution in 1789, the liberal David initiated the epic Oath of the Tennis Court to celebrate the defiance of royal authority." (Grafton, Most, & Settis 2010, p
After 1789, he became a leader in the revolutionary regime, initiating reorganization of the Academie Royale and supervising the production of pageants and visual propaganda for the government." (Facos 2011, p
"He accepted the role of de facto minister of propaganda, organizing political pageants and ceremonies requiring floats, costumes, and structural props." (Kleiner 2012) David considered that art could make it possible for people to see things from the artist's viewpoint
Even the reason why Marat was in the bathtub is connected to the revolution, as "he was trying to cure the skin disease he had contracted during his days of hiding in the sewers of Paris." (Lord & Lord 2010, p
"Contemporaries alternately described Corday as a monster and a villain, a maiden and a heroine, depending on their political persuasion." (Nielsen 2013, p
"Heroically framed legislators take their oath with gestures and expressions as incisive as David's contour, it is as if they had been physically remade in accord with their mission of national regeneration." (Ribner 1993, p
Resembling glasses, it contained two monitors that presented images to the wearers' eye; the computer calculates the situation based on head movements and guides the viewer within the images. (Dinkla 1994) Krueger went on to develop the 'Videoplace' artistic work in 1974 and has been upgrading it since
This imbues the term with its broad-ranging impact, but also contributes to its dilution. (Kwastek, K
The work performs differently according to what the person does or says. (Li and Srikanth n
Organizers of the event also brought up the fact that a lot of designs inside the games actually come from inspiration drawn off of art in galleries and museums. (Pratt, 2010) The game designer is a craftsman or woman who pursued a vision the same as any other artist would
Living in New York, "as educator, Rozin is Associate Art Professor at ITP, Tisch School Of The Arts, NYU where he teaches such classes as: "The World- Pixel by Pixel," "Project Development Studio" and "Toy Design Workshop." (Rozin, 2010) Smoothware Design is a company owned by Rozin and where he develops software that supports and assists both the multimedia and the interactive art businesses
Living in New York, "as educator, Rozin is Associate Art Professor at ITP, Tisch School Of The Arts, NYU where he teaches such classes as: "The World- Pixel by Pixel," "Project Development Studio" and "Toy Design Workshop." (Rozin, 2010) Smoothware Design is a company owned by Rozin and where he develops software that supports and assists both the multimedia and the interactive art businesses
com/users/quakers/Hicks_Peaceable_Kingdom.htm (Broastoski) The iconography is showing a cow, lion, a leopard and angels inside the Garden of Eden
e., truisms) in the streets of lower Manhattan in 1977 (on walls, lampposts, manhole covers and public phone booths), they actually represented what Holzer termed a "universe of opinion" to be "navigated by individual viewers on their own" (Bertens, et al
In the Negro Artist and the Racial Mountain, Hughes sought to refute reductionist attempts to Whitewash the movement by Schuyler, who criticized the "Negro-Art Hokum" as mere hype. (Hughes, the Negro Artist and the Racial Mountain)
The New Negro Movement was concerned with the rehabilitation of the Negro's image in American society. (Locke, 8)
It was not "Negro-Art," Schuyler, insisted, because Art had no categories. (Schuyler, Negro-Art Hokum)
It was the product of the profound structural shifts that occurred in American society as a result of Emancipation and Reconstruction. (Kallen, 4)
Instead, according to the Van Gogh Museum, the relatively brief time the men spent together in Arles (1888) forced them to evolve new techniques in parallel in response to conditions that both found challenging. After Arles, van Gogh's tragic trajectory becomes the often-revisited stuff of myth (Meier-Graefe 84-147): the lost ear and subsequent breakdown, the extremely productive rehabilitation at Saint-Remy, his eventual self-inflicted martyrdom and shabby funeral, posthumous glory forever
Why, for example, did the filmmakers consider it necessary to introduce Mauve in what appears to be July 1882 (since Maria gives birth in the same scene), when van Gogh had already broken with his former mentor by January of that year? So many other historical characters come and go (in Altman's oblique signature style) in Vincent & Theo that the scene could easily have been structured differently or even eliminated altogether, but as it is, the insertion of Mauve here lends the character weight in the narrative that he might not otherwise deserve. (Although attributing the ear episode unequivocably to self-mutilation would be controversial today in the light of new arguments (Samuel) that Gauguin actually injured his friend in an argument, Altman was on historically firm ground on this front in 1990