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Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Because of the history of racialist inflections in aesthetic discourse and the Manichean differentiation between white and nonwhite women, the so-called woman of color's relationship to beauty does not merely replicate the white woman's relationship to beauty, even if one were to understand beauty as a discourse of abjection for all women. Cheng contends that the effects produced by the intersection of race, gender, and aesthetics are not merely additive, but rather interlocking and, at times, even contradictory (Cheng, 192)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Chin contrasts a case study of Mattel's Shani dolls with an ethnographic look at race and commodities among New haven kids, Chin's paper locates children's consumption within the context of social inequality; a context examined in few studies or consumption. Chin concludes that taking kids as primary ethnographic subjects suggests ways in which this largely silenced group can speak to larger social and theoretical issues, among them race, class, gender, and age (Chin, 305-321)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Her study found that adolescent women of Ecuador are able to consume media images and maintain a healthy distance and the ability to critically examine implicit messages. De Casanova concludes that if this pattern continues, the young women may be able to keep from developing the low self-esteem and eating disorders common among white North American adolescent girls (De Casanova, 305)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Pecola believes that having blue eyes will bring love and acceptance into her fragmented and barren existence. For Pecola, "Blue eyes epitomize everything desirable in white American culture & #8230; Pecola's longing for this cosmetic change expresses her deeper need to reform the world by reforming the way she sees it" (Fick, 11)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


She posits that in order for Black children to assimilate into the dominant culture, historically, their cultural values have been minimized. "This process of cultural assimilation or alienation has had a devastating effect on Black children's opportunities around the globe, particularly as it relates to the loss of their identity and to the underutilization of their human potential & #8230; A group's loss of identity occurs through a process of cultural alienation and annihilation and through a culture of exclusion" (Freeman, 51)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


B. Du Bois, Holt notes that "both passages have as their theme the fundamental duality of black life in America, the paradox of being so intimately a part of the national culture and yet so starkly apart from it" (Holt, 302)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Hunter suggests an explanation, that, it happens in part because racial ideologies devalue the phenotypes of African-Americans and Mexican-Americans and associates their features with ignorance and ugliness. Hunter concludes that European colonization and slavery have left a lasting imprint on African-American and Mexican-American women: skin color hierarchies that continue to privilege light skin over dark skin (Hunter, 175-193)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Jones found that nevertheless, certain ideals, especially for women had become widely diffused worldwide, including a lack of body odor, white natural teeth, slim figures, paler skins and rounder eyes. Corporate strategies helped bring about a reduction in the range of global variation in beauty ideals at the same time that they developed products which enabled more and more consumers to aspire to capturing the beauty premium (Jones, 125-154)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Pecola, on the other hand, does not have joy and love to balance the pain and ugliness of her everyday experiences. Pecola's family is without the resources she needs, and without which she retreats into madness (Klotman, 123-125)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


These values tend to be rigidly tied to gender and are race-specific to the extent that racial and ethnic differences are not allowed to be represented. Kuenz further asserts that for anyone not represented therein, and especially for African-Americans, interaction with mass culture frequently requires abdication of self or the ability to see oneself in eth body of another (Kuenz, 421-431)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Their research clearly showed that the Asian-American women in both studies were schooled by popular culture to objectify themselves, their bodies and their cultures. They report that the young women experienced a pernicious internalization of dominant ideas of Americanization (Lee and Vaught, 457-466)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


She discusses how a unique quality of media is their public pervasiveness and people's knowledge that the images or ideas they see are also seen by many others, often millions of others. Moreover, individuals believe that others are more strongly affected by media portrayals (Milkie,190-210)

Racist Beauty Ideals Standards and Internalized Racial Self-Hatred in Toni Morrison\'s the Bluest Eye


Pecola's pregnancy and psychosis represent extreme consequences of racism. Werrlein asserts that, as various characters in The Bluest Eye "label, degrade and define Pecola's body so as to disavow the realities of racism in their own lives, Morrison suggests that they mirror the work of a nation that ironically invests in the ideology of childhood innocence at the expense of its children" (Werrlein, 53- 72)

The Bluest Eye - Wikipedia


The Bluest Eye was written by Toni Morrison in 1970. A single mother of two sons, Morrison wrote the novel while she was teaching at Howard University. She centers ...

SparkNotes: The Bluest Eye


From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes The Bluest Eye Study Guide has everything you need to ace quizzes, tests ...

The Bluest Eye by Toni Morrison — Reviews, Discussion ...


The Bluest Eye is Toni Morrison's first novel, a book heralded for its richness of language and boldness of vision. Set in the author's girlhood hometown ...

The Bluest Eye (Vintage International): Toni Morrison ...


The Bluest Eye (Vintage International) [Toni Morrison] on Amazon.com. *FREE* shipping on qualifying offers. Pecola Breedlove, a young black girl, prays every day for ...

The Bluest Eye by Toni Morrison, Paperback | Barnes & Noble®


The Bluest Eye, published in 1970, is the first novel written by Toni Morrison, winner of the 1993 Nobel Prize in Literature. It is the story of eleven-year-old ...

The Bluest Eye - Shmoop


Struggling with Toni Morrison’s The Bluest Eye? Check out our thorough summary and analysis of this literary masterpiece.

The Bluest Eye - Mercer Island School District


Toni Morrison The Bluest Eye Toni Morrison is the Robert F. Goheen Professor of Humani-ties, Emeritus at Princeton University. She has received the