"The dancers walked onstage in semi-darkness, dragging along the floor a something that is either a crate or piece of scenery. It turns out to be a combination of both -- an electronic tap board designed by musician/choreographer/dancer Nicholas Van Young" (Contino)
Not everyone was enamored with the show. The New York Times praised its "a free-flowing continuity while delivering a variety of sounds, musical styles (Afro-Brazilian, music-box indie pop, a cover of Adele's "First Love") and emotions (joy, pain)" but also stated that the "show seems like a later stage in what is still a trial phase, with too many short sections, too many disparate ideas and iterations" (Seibert)