Susan Glaspell Sources for your Essay

Trifles Susan Glaspell\'s Trifles and


(Shivers.) Like a raw wind that gets to the bone" (Glaspell, 2003, p

Trifles Susan Glaspell\'s Trifles and


Men cannot find any evidences because they are blinded by their arrogance and cannot understand women's motives, while women approach things differently from men and assess the case with doubt, understanding, and emotions, and not based on mere mechanics of law and order. Annette Kolodny, a feminist literary critic who notes that, without understanding female perspective on the issue, men cannot "read" the themes of Trifles, writes of the gender themes in literature: "whether we speak of poets and critics 'reading' texts or writers 'reading' (and thereby recording for us) the world, we are calling attention to interpretive strategies that are learned, historically determined, and thereby necessarily gender-inflected" (Kolodny, 1980, p

Susan Glaspell\'s Play, Trifles, Mrs.


While the men are busy being men and investigating the crime scene, they overlook all the glaring pieces of evidence. They are, however, too astute to see these things because theya re not like women who worry "over trifles" (Glaspell 1117)

Susan Glaspell\'s Play, Trifles, Mrs.


While do not know what exactly happens to Laura at the end of the play, we are certain she will emerge a better person because of what happens to her. She has grown up in this play, she has learned she is stronger than anyone thought she was "just like all the other horses" (Williams 1018)

Trifles Susan Glaspell\'s 1916 Play


Wright was likely justified in her actions, to the point that they decide to hide evidence for her. As Suzy Clarkson Holstein notes in her essay "Silent Justice in a Different Key: Glaspell's 'Trifles,'" the women's different "way of knowing leads them not simply to knowledge; it also leads to the decision about how to act on that knowledge" (Clarkson Holstein 282)

Trifles Susan Glaspell\'s 1916 Play


Wright's preserves froze and broke their jars, to which Mr. Hale responds "well, women are used to worrying over trifles" (Glaspell)

Jury of Her Peers, by Susan Glaspell,


Wright had to put up with, and immediately stand up for her when the men begin to criticize her housekeeping skills. "But I don't think a place would be any the cheerfuller for John Wright's bein' in it" (Glaspell)

Jury of Her Peers, by Susan Glaspell,


Step right in. The seats is clean -- jes' got back from a funeral, suh'" (Henry 158)

Trifles by Susan Glaspell


Hale, when compared to the men, reveals that the play is extremely critical of traditional views about gender the subjectivity of men and women. This is important to note because while Susan Glaspell "explicitly identified her writing as her political activity," the political message of Trifles is nuanced and creative, instead of blunt and familiar (Demastes 116)

Trifles by Susan Glaspell


In fact, except for Mrs. Peters early line declining the offer to warm herself by the fire, the women do not speak at all for some time as the male characters go over the facts of the case (Glaspell 393)

Trifles by Susan Glaspell


Trifles Susan Glaspell's one-act play Trifles is frequently anthologized, and for good reason (Makowsky 59; Cerf 103)

Susan Glaspell\'s Work Is a


[the two women move a little closer together.]"(Glaspell) the inquiries made by the sheriff and his men are symbols of the typical, pragmatic and masculine world of action

Susan Glaspell Minnie Wright: A


She had a great amount of responsibility and little to no kinship, since Mr. Wright did not allow her to be involved locally and did not even own a telephone (Glaspell)

Susan Glaspell Minnie Wright: A


She had a great amount of responsibility and little to no kinship, since Mr. Wright did not allow her to be involved locally and did not even own a telephone (Glaspell)

Susan Glaspell Minnie Wright: A


Rather, we must rely on the actions and thoughts of the "seen" characters to recreate the missing Minnie Wright. Most notably, the two women who accompany the formal investigating team are able to piece together who Minnie Wright is through the inspection of the things they find familiar: the "trifles" of the feminine sphere of the rural Midwestern woman in the late 1800s and early 1900s (Hedges 89)

Susan Glaspell Minnie Wright: A


The women realize that the bird has been strangled and are able to put together the horrible chain of events that must have taken place; remembering that Minnie had been a singer in the church choir before she married and her husband disallowed it, the women imply a comparison between Minnie and the strangled bird. Like the bird, Minnie's husband had choked the life out of her through forced solitude (Holstein 282)

Susan Glaspell Minnie Wright: A


In "A Jury of Her Peers," however, Glaspell expands on what Mrs. Hale is thinking in a manner that helps the reader to see the connection (Mustazza 489)

Susan Glaspell Minnie Wright: A


To solve the mystery, the reader must reconstruct Minnie Wright. The complication in this task is that Minnie Wright does not appear in either Glaspell's play or story (Noe 36-54)

Susan Glaspell Minnie Wright: A


Because her character has been flushed out through the use of the tiny things in her life, the reader can solve the mystery of Minnie Wright. We not only know why she murdered her husband, but we understand it and, as much as can be expected, sympathize with her situation (Russell 88-90)

Susan Glaspell,(trifles). Please Ensure Original Wor Formal


Peters) are able to find a highly convincing motive for the Minnie's act of murder. The irony of this fact is underscored by the reality that "Rural American women usually appear as marginal characters in mainstream early twentieth century literature" (Al-Khalili 132)