Romeo And Juliet Sources for your Essay

Hatred in Romeo and Juliet


. Now, by the stock and honor of my kin, / to strike him dead, I hold it not a sin" (Shakespeare I

Romeo and Juliet by William


Critic Harold Bloom notes, "What it amounts to is that Romeo and Juliet are possessed of the light. And they alone are possessed of the light, in a Verona to whom the light is beyond comprehension" (Bloom 2000, 82)

Romeo and Juliet by William


Another critic notes, "Juliet describes Cupid, with whom Romeo is associated, in terms of birds as well: "nimble-pinion'd doves draw Love, / and therefore hath the wind-swift Cupid wings" (II.v.7-8)" (Brown 1996)

Romeo and Juliet by William


Critic Hager continues, "Romeo says: 'She hath forsworn to love, and in that vow / Do I live dead, that live to tell it now' (1.1.223)" (Hager 1999, 108)

Romeo and Juliet by William


A Shakespeare critic offers an example, "Which is as thin of substance as the air, / and more inconstant than the wind, who woos / Even now the frozen bosom of the north, ' and being angered puffs away from thence, / Turning his side to the dew-dropping south (ll. 96-103)" (Halio 1998, 57)

Romeo and Juliet by William


Many literary critics note Shakespeare's reliance on imagery throughout his works, and especially in this one. A critic notes, "Pack writes for 'the reader who has the patience to delight in the minute details of Shakespeare's patterns of imagery as well as to admire the overall structure of the plays'" (Platt 2008)

Shakespeare\'s Romeo and Juliet Is


No other writer in any language comes close to the long-lasting interest that Shakespeare has enjoyed. "No one else in any artistic endeavor has projected a cultural influence as broad or as deep" (Andrews 267)

Zeffirelli\'s Romeo and Juliet This


The prominent roles that violence and sexuality share also underline the overriding masculinity of this production, which is largely based on scriptural suggestion and would certainly have fit Shakespeare's own time and original setting even more than our own. As Barbara Hodgson notes, "Zeffirelli's Verona threw the weight of privilege to masculine power" (Hodgson, 348)

Zeffirelli\'s Romeo and Juliet This


That being said, Franco Zeffirelli's interpretation of the script is far truer to the characters of Shakespeare's play than most of the perennial high school and community theatre productions, which emphasize the romantic love generally thought to exist between the two characters. While this film is far from denying such a love, Jennifer Martin is absolutely correct when she notes that "Zeffirelli makes much of the fact that the two lover share an intense physical passion" (Martin, 42)

Zeffirelli\'s Romeo and Juliet This


Zeffirelli's Romeo And Juliet This movie version of Shakespeare's classic play breaks up the text more than is necessary, relying too heavily on the camera's ability to direct focus and not enough on the text to tell the story. To begin with, the sonnet shared between the two young lovers the first time they meet at the Capulet's ball is completely broken up, with long pauses coming even in the middle of the metrical line, as if no thought had been given to the text (Zeffirelli)

Romeo and Juliet


Not later, when he decides to kill Tybalt, but now. Now is the moment when two totally different universes wait as it were on the turning of a hand" (Bloom 37)

Romeo and Juliet: A Tale of Love


However, while her statement seems quite mature, it also suggests that Juliet is still a child and does not have a real understanding of love or marriage. One critic agrees with this point suggesting that Juliet's age and the circumstances reveals "a painful too-soonness" (Everett 117)

Shakespeare\'s Play: Romeo and Juliet


In 'Romeo and Juliet,' whose climax closely resembles that of Pyramus and Thisbe, Shakespeare does not shy away from artifice and contrivance. His tragedy is unusually dependent on coincidence, mischance, and accident" (Greenblatt 865)

Romeo and Juliet if I


It was love without the true Promethean fire, but it was a preparation for what was to follow. (Cole, Douglas

Romeo and Juliet if I


This strange form of sonnet is, however, successful, and even ends with a kiss." (Spurgeon, Caroline

Romeo and Juliet if I


To a larger extend, it was love which healed the wounds of hate of the two families; love which led to death. (Campell, Lily B

Romeo and Juliet if I


(Campell, Lily B. (Shakespeare's Tragic Heroes: Slaves of Passion. Gloucester, MA: Peter Smith, 1973) Romeo and Juliet" appears to be a comedy, then turns out in a tragedy and bears the traits of drama

Atonement vs. Romeo and Juliet


They were a way of controlling resources and property, especially land, creating a bind between two families or even settling disputes. Women would bring dowries into the marriage, which was often "the biggest infusion of cash, goods, or land that a man would ever receive," and the male head of household had the use rights to it since married women did not own property (Coontz, 5)

Atonement vs. Romeo and Juliet


All human beings are capable of romantic love, or at least passionate erotic attachments and obviously all human beings are generally able to achieve physical pleasure from sex. A 1992 study of 166 cultures found that 151 at least had the concept of romantic love, which means that it is basically universal and not simply the invention of modern, Western civilization in the 'Romeo and Juliet Revolution' (Jankowiak and Paladino 7)

Atonement vs. Romeo and Juliet


As a thirteen-year-old, Briony knew little about sexuality and also had a morbid imagination. She was narcissistic as well and only slowly came to realize that "other people are as real as you, and only in a story could you enter these different minds and show how they had an equal value" (McEwan 38)