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Old Man With Enormous Wings Magical Realism


That contrast is another example of the strange juxtaposition of characters in this story; a bat symbolizes fear and danger and the unknown, so why would a bat be flying over an area where an angel (ragged though he was) was drying wings? And why would a Portuguese man who had trouble sleeping because of the "noise of the stars" kept him awake come to the angel in hopes of a cure? And invalids, what do they hope to gain? Why would the author refer to ridiculous things like a sleepwalker undoing what he had done while awake -- and then alluded to those absurdities as "serious ailments"? The answer to those questions lies in the fact of Marquez's use of magic reality. People showed up in such great numbers that bayoneted soldiers needed to be there to protect the angel? This is farcical and yet interesting simply because this mixture of weird imagery with different attitudes and reasons for being there "…serves to heighten the reader's uncertainty" (Faulkner, 1968)

Old Man With Enormous Wings Magical Realism


¶ … Old Man with Enormous Wings Magical Realism Magical realism, according to author Gabriel Garcia Marquez, "…expands the categories of the real so as to encompass myth, magic, and other extraordinary phenomena in Nature…" (Marquez, Creighton

Old Man With Enormous Wings by Gabriel


, the use of magic realism. Through illustrative examples and passages from the story, this paper posits that the short story A Very Old Man with Enormous Wings depicts the realities of life in human society as the author (Marquez) perceives it: a life motivated by strict adherence and belief to religion, resulting to dogmatism, intolerance to differences of other people, and a life of poverty, resulting to the blurring of distinction between illusion (magic) and reality

A Very Old Man with Enormous Wings

Year : 1988