We did what we could, / And all we could do was / Turn on each other. How the fat kids suffered! / Not even being jolly could save them" (Eady, 5-8)
For example, Swift uses imagery in her song as well, though she employs similes rather than metaphor. The first lines of her song are, "You, with your words like knives / And swords and weapons that you use against me" (Swift, 1-2)
is discussing various ideas of vs. To incorporate them into his songs. (Glasser) Alston, Tanisha
's determination in overcoming these issues to make his life out to what he had envisioned years ago. (Kreps) Glasser, Linda
When this happened, others were able to identify with the feelings and emotions he expressed. (Seidman) References "Airplane Lyrics
Before 1950, most documentary filmmakers "had sought to control chance to a great degree," meaning that when filming a documentary, the director and/or author would make sure that everything fit nicely into the overall structure of the film being made, even casual actions which would be "smoothly absorbed into a larger structure of meaning" (477) via film editing and what is known as voice-over commentary, a form of narration in which an off-screen person describes and/or speaks about what is occurring in the film. Some documentary filmmakers like Robert Flaherty, considered as one of the founding fathers of documentary film and as an integral part of the "mythology of the burgeoning world-wide documentary movement of the 1930's" (Williams, 2002, Internet), and Humphrey Jennings, the "quintessentially English filmmaker" often referred to as the "only real poet the British cinema has yet produced" as of 1954 (Danks, 2006, Internet), "resorted to
Before 1950, most documentary filmmakers "had sought to control chance to a great degree," meaning that when filming a documentary, the director and/or author would make sure that everything fit nicely into the overall structure of the film being made, even casual actions which would be "smoothly absorbed into a larger structure of meaning" (477) via film editing and what is known as voice-over commentary, a form of narration in which an off-screen person describes and/or speaks about what is occurring in the film. Some documentary filmmakers like Robert Flaherty, considered as one of the founding fathers of documentary film and as an integral part of the "mythology of the burgeoning world-wide documentary movement of the 1930's" (Williams, 2002, Internet), and Humphrey Jennings, the "quintessentially English filmmaker" often referred to as the "only real poet the British cinema has yet produced" as of 1954 (Danks, 2006, Internet), "resorted to
Lesure maintains, "Debussy's inventions bear equally on harmony, rhythm, texture and form, and might be summarized as a lifelong quest to banish blatancy of musical expression. His harmony inseparably binds modality and tonality" (Lesure)
Trezise asserts that his music "dwells in the hazy spaces where sexual fantasies are born, between dream and memory, the conscious and the unconscious, reverie and reality, sleep and wakefulness, and desire and music making. The ambiguous, erotic images and intangible language of the poem are mirrored in the music where tonalities are only suggested and rarely confirmed, were themes remain undeveloped:" (Trezise 131)
In addition, the piano player is the "main attraction" at the bar. This can be seen when the he sings, "the manager gives me a smile/'Cause he knows that it's me they've been comin' to see/To forget about life for a while" (Joel)
Instead, she wants and desires mutual success, not what unlike she already enjoys. References AZLyrics. (2016)