He has been affected directly by the Nazi regime and may not feel a strong sense of security (Sholette, 2003). His obsession with mechanical dolls may symbolize his need for order and perfection (Dewey, 2003)
He does not wish to return to the real world, so he chooses to play his games within the walls. The game inside the chateaus is much safer than the game that was taking place outside the walls (Durham, 2003)
They will make comparisons and try to relate to the characters in a personal way. Characterization is an essential element to the ability of the audience to walk away feeling as if they have been on an adventure themselves (Ford, 2001)
The hunt is used to signify the thrill of the chase. When one thinks of the use of symbolism they usually think of it as a means to enhance the plot (Gerow, 2002)
Characterization in Renior's Rules Of The Game At the level of high culture, most clearly in its modernist phase, there has always been this dream of transcending the local, the provincial, and the national, or in social terms, to transgress the narrow bounds of the bourgeois world and to enter a realm that is nothing if not International: the transcendence lay in being truly "European" or cosmopolitan." (Kroes, 1996, p
The audience enjoys characters that are similar to themselves or someone that they know. The audience will make comparisons about the character and decide what they may do in a similar situation (Nataranjan, 2003)
The characters in the story were a part of this mood of doom. Their fantasies were a way to forget about the trouble outside the walls, it can be seen as an abdication of self (Pearsall, 2001)
He is outside of the normal society of the time by his birthright. He has been affected directly by the Nazi regime and may not feel a strong sense of security (Sholette, 2003)
It is obvious that there is quite a bit of denial going on within the minds of the characters. The established rules of the game indicate that it is acceptable to have fantasies and to act on them as long as one stays within certain physical boundaries (Wendorf, 2003)
It is worth pointing out the she does not feels as though she has a choice if she is to be happy. She knows love and she knows what she feels for Linton is a kind of love that will change over the years as the "winter changes the trees" (Bronte 74)
That we can relate to their extreme personalities makes them dear to us because we can see bits of ourselves in them. Bronte successfully employs Gothic romanticism to "portray the equally torturous, incomprehensible, and potentially dangerous alleys of the mind" (Brantlinger
Knoepflmacher writes, "Catherine wanted to retain Edgar and Heathcliff, to live suspended between responsibility and freedom, civilization and eros, Victorian acquiescence and Romantic rebellion. Finding herself unable to span Edgar's social order and the life of instinct that she shared with Heathcliff, Cathy chooses to die, hoping to transcend a finite world of irreconcilables" (Knoepflmacher)
Bronte successfully employs Gothic romanticism to "portray the equally torturous, incomprehensible, and potentially dangerous alleys of the mind" (Brantlinger 309) adding that the novel "deploys a Gothic demonization of the foreign" (Brantlinger 309). Katharine Rogers agrees with this notion, asserting, "In the two generations, Bronte displays the grandeur of Romantic passion single-minded, uncompromising, capable of unlimited empathy, impervious to worldly considerations and at the same time criticizes it" (Rogers)
. which has been said to be the secret of the whole Romantic revolt against classical models and restraints" (Ward)
In the determination of any criminal charge against him, or of his rights and obligations in a suit at law, everyone shall be entitled to a fair and public hearing by a competent, independent and impartial tribunal established by law. (Doebbler, 2006)
Contemporary scientific knowledge shows that use of narcotics often produces a psychological and physiological reaction known as an acute brain syndrome, which is a "basic mental condition characteristic of diffuse impairment of brain tissue function." The characteristic symptoms of the syndrome are impairment of orientation; impairment of memory; impairment of all intellectual functions including comprehension, calculation, knowledge and learning; impairment of judgment; and liability and shallowness of affect (Hansford vs. USA; No. 19436., 1996) Whilst the narcotic addict is on trial, he may be on withdrawal form narcotics
Willy is a breed of new tragic heroes that do not fit under the traditional notions of the tragic hero in that he is an ordinary man in fairly typical surroundings. He is what Missy Barringer refers to as a "commonplace hero" (Barringer 311) and he becomes a success because we can relate to him in a way that we cannot relate to kings and princes
Unfortunately, Willy's character flaw does not end with Willy. John Gassner maintains that Death of a Salesman bridges the "gap between a social situation and human drama" (Gassner 339)
The drama is tragic but what makes it more tragic is how the father passes down the doomed dreaming legacy to his sons. Robert Spiller observes that Willy Loman is Miller's "most beautifully conceived character" (Spiller 1450), who dies at the end of the play, "still believing in the American success myth that killed him and infected his sons" (1450)
His appearance is, as Dickens intended it, entirely factual: every part of him and every gesture is "square": "The speaker's obstinate carriage, square coat, square legs, square shoulders, - nay, his very neckcloth, trained to take him b'y the throat with an unaccommodating grasp, like a stubborn fact, as it was, - all helped the emphasis."(Dickens, 3) Thus, Dickens employs metonymy to stress that every part of his character alludes to the perfect logic of mathematics: Gradgrind looks as exact and convincing as a geometrical figure